
This early release finds spaced out disco-soul deity Patrick Adams standing with his feet firmly planted in two worlds: the 4-part soul harmonies in the vocal track & the insanely epic disco dwelling within those strings & percussion, chronologically moving away from the former and into the later, and though it’s lacking his signature Moog craziness, this effort is no less amazing or ambitious for it’s absence… okay, maybe one of Adams’ signature squiggly synthlines could take this to another level, but it still kicks ass. The violins really steal the show here (don’t they always…), taking what comes across as a relatively sing-songy keyboard riff and turning it into a real swell of emotive force; not surprisingly, those strings got sampled in more than one late ‘90s house track.